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c. 1445 – May 17, 1510. Italian painter.

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Eugene Delacroix
Moroccan in the Sattein of its horse

ID: 45938

Eugene Delacroix Moroccan in the Sattein of its horse
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Eugene Delacroix Moroccan in the Sattein of its horse


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Eugene Delacroix

French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul  Related Paintings of Eugene Delacroix :. | Moroccan Landscape near Tangiers | Portrat der George Sand | Portrat des Baron Schwiter | Combat de chevaliers dans la campagne | Christ on the Lake of Gennezaret |
Related Artists:
VIVARINI, Alvise
Italian Early Renaissance Painter , b. 1445/46, Venezia, d. 1503/5, Venezia
WITTE, Emanuel de
Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
THORNHILL, Sir James
English painter (b. 1676, Melcombe Regis, d. 1734, Weymouth).






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